Movie Review – “IT”

I have been a huge Stephen King fan for as long as I have been reading novels, but IT was the one that I intentionally avoided, because, y’know, clowns. Upon seeing the trailer for the upcoming film I decided that I would finally delve in and face my fears.

What I’m trying to get at is- I’m that “read the book first” asshole.

IT- the novel- really touched my heart. I became obsessed with how it made me feel to read it. It was a great surprise to find out that it is not only a story about harrowing levels of fear and horror in both the supernatural and natural sense, but it is a story about the romance, beauty and purity of young friendship. The spiritual connection between the “Losers Club” throughout as they deal with the pain in their own lives, as well as this haunting entity that is consuming their town is the primary focus of the story. I have never been on an emotional ride quite like it.

So, I went into “IT” with a blend of emotions that I normally don’t bring into my cinematic life- excitement and complete and utter fear. I don’t watch horror movies. I don’t like to be scared. I HATE gore. Despite all of that, I was seduced by the idea of letting this movie funnel through my system, almost like a cleansing experience for my fragile soul. There was a very good chance that I would walk away traumatized.

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IT was incredibly respectful and faithful to its source material in many ways, from the underlying themes, the makeup of its characters, and the childlike sense of humor and fear alike. The kids are charismatic (every actor is AMAZING), emotional and hilarious, the cinematography is gorgeous and very representative of the time period, and Pennywise was, well, terrifying. I was slightly less than sober as a security measure, but I was honestly scared at a level that I haven’t been in a long time. I was fucking scared, okay!? IT and actor Bill Skarsgard capture the oddball, creepy style of Pennywise that Stephen King created while perfectly conveying how terrifying the shape shifting demon truly is.

It appeared that many of the effects used in the film were practical, which really added to the retro feel and gave a lot more realism to the horror, creating visual scares that are a perfect blend of camp and creep. IT is a childs worst nightmares come to life, as it was meant to be.

As for any critique, there was a large volume of content left out from the 1000+ page epic that it drew from, but a huge portion of that material was focused on the psychological and physical violence that happened when IT wasn’t around. It also delved deeply into the forces at work behind the encounters. There was less emphasis on the evil enveloping the town of Derry itself, with more focus on the physical incarnation of its monster. I was surprised that the presence of the bullies of Derry were so dialed back-seeing as Bowers was just as much a villain as IT in the novel, along with Bevs father and Eddie’s mother. Bowers is psychotic and disgustingly racist,like his father, and his constant pursuit of the kids is heart pumping. The rock fight scene, for example, was dealt with in a rather passive way in the film, where it was originally a VERY tense situation-fueled by murderous rage. The storyline involving the bullies was essentially kicked to the curb, so although I was clearly rooting for them, there was little sympathy built up for the hell that these “losers” go through everyday. Though it was never acknowledged outwardly, the courage that compels these kids to take on a monster is meant to come out of their connection to the spiritual forces behind IT. Every action is one that is necessary, because they are being influenced, almost used, and the kids themselves can feel the magic of said forces guiding them through this story.   The strength of their bond comes heavily from the time that they spend being there for one another, learning to love one another, building an impenetrable circle by facing the Derry monster head on to learn more about it. That element was missing in many ways, but their actions spoke to these ideas.

Despite the absence of alot of material crucial  to the makeup of IT, the pacing of the film was thoughtfully structured to fit in everything that they intended to, and I feel that they effectively wound the story to their will. There was rarely a dull moment.

Now I can only hope that the next installment (or installments?) are just as satisfying. I presume that they will involve more of the missing elements in the coming chapters, like the specifics about what IT is. The ending seems to lend itself to the idea that we are not supposed to understand what IT is at this point, or what IT wants- only what IT is capable of.

All said and done, the one thought that continued to dance through my head as I was shaking and closing my eyes was simply “this is perfect”-and it was, for me. I wanted to see IT, and I did. I felt all of the emotions that I felt while reading it, and I loved it all the more for taking me back into that head space. It felt like something from Stephen Kings mind.

This sounds so bizarre coming from me, but I loved a movie about a killer clown. Now I just need a few days to be able to fall asleep again.


Review: Marvel/Netflix- The Defenders

srfIn the era of superheroes on the silver screen, the superhero team is a destination that no fan can resist the prospect of visiting. The movement of hero teams has come a long way since the X Men franchise, spawning the Avengers universe, Guardians of the Galaxy, Suicide Squad and the soon-to-be-released production of the first ever Justice League film. The Defenders may come up as small fish in a big pond in this world, but with a showrunner as massive and well respected as Netflix at the helm and a moderately strong foundation of solo origin stories, expectations were fairly high in my world.

Unfortunately, after Daredevil set a gold standard for what a graphic, no holds barred Marvel entity could look like, things began to take a downturn thereafter. Jessica Jones was a formidable achievement in assembling a mostly female cast in an incredibly dark story, but it suffered with characters getting screen time that I cared little for. Daredevils second season was given a mixed response from the general public, but I still felt the magic with both its exceptional heroes and villains, as well as its action. What followed was, needless to say, a downward spiral. Luke Cage was simply lacking- and Iron Fist proved to be so utterly mediocre that I barely got past the first episode.

Defenders succeeds in a few things, but unfortunately it only succeeds in those few things. The pacing is incredibly slow-taking at least three episodes (out of only 8) before the team “assembles” as it were. That coming together lasts a very short time when Iron Fist is separated both physically and emotionally from the group. The basis for their collaboration is to bring down the mystical, menacing ninja organization called ‘The Hand’. The danger is apparent only because we have seen their influence in past shows, but at no point is it clear exactly what the hell the danger is. They speak in nothing but cryptic and generic villainous phrases about “the plan” for the majority of the story, and there seems to be little urgency in executing said plan. Any life threatening situation involving a member of ‘The Hand’ comes down to them being somehow more stealthy, agile and impenetrable than the superheroes themselves. Again, there is little tension or danger to be felt in any real way on either side. The Hand doesn’t seem to feel much threat from the Defenders (they barely know anything about them) and they rely on their fearless leader- Sigourney Weaver-to decide their actions.

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As strong as Weaver is, her role in this show suffers from the same bland, cryptic, generic, threatening quips which result in her saying or doing very little aside from talking to Elektra, asserting her dominance and saying “the black sky” “the black sky” and “the black sky”. Oh, and “the plan”. Are they ever going to tell us exactly why the Black Sky is this once in a lifetime savior of all that is bad and evil, aside from the fact that she can kill loads of ninjas? The way that Alexandra talks about the Black Sky to the other members of the hand feels an awful lot like Luke and Obi Wan trying to convince Han Solo that the force is real. She seems to be this aspect of their spiritual or religious beliefs that only Alexandra believes in-and she took very little effort to elaborate on what exactly her place in this grand scheme was meant to be. This was a very vague and non-specific brand of evil-unlike someone such as Kilgrave-who could create absolute devastation in a single thought and whos evil was enough to make your skin crawl. I felt myself longing for the complexity, depth and strength in the character development and stories of Wilson Fisk and Frank Castle- dangerous men who took real action, held real relationships and felt real pain in defeat.

This lackluster dialogue issue doesn’t just apply to these boring villains, either. There was so very little substance in the conversations and back-and-forth between most every relationship in this show. I felt little connection to the shallow and simplistic script shoved onto a group of decent actors. I felt bored by it. This was most evident in every scene involving Iron Fist and company, where I saw a noticeable drop in the quality of both the acting and the writing-like they were still separate people writing for each hero.

The action on the show certainly stood up in terms of choreography and epic moments for each character to showcase their powers- but something was seriously up with the editing here. In the first couple episodes especially, the cuts felt so choppy and there was little flow to speak of. It was the most rushed, yet slow moving show that I’ve seen in awhile. Its like this show ran on an Agents of Shield production budget with Netflix level censorship.

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Not only are The Defenders up against this mysterious and widespread virus of an organization that has engulfed their own cities seedy underbelly as well as others around the world, but they have to contend with working around the law and remaining somewhat discrete to the general public. The element of the law-for most of this series- seems meant to be incredibly annoying and constantly getting in their way. Yes, it does make sense that the Defenders all have mainstream connections that assist them in their vigilantism, but often they served as a device to stall the real action from happening. There is also this pesky problem with Iron Fist, going around with the same dumb face all the time, being a pawn on both sides of the fight. This element of the story made sense, but with little personal connection to the rest of the Defenders, their worry for his well being never felt truly passionate.

It looks a bit like this, but mad.

As far as supporting characters go, there really was nobody worth noting aside from Rosario Dawson. She exuded more passion and delivered in a more believable way than most of her costars throughout. She served as a strong buoy with which to connect the islands of each series together-but I wish that they had taken the time to build their relationships through their connections to Claire, perhaps through Daredevils wanting to bring down both Fisk and the Hand. Perhaps I just wanted Fisk to be the villain. I miss Fisk, guys.

Now, for some good points.

One thing that I really and truly loved in the Defenders was their use of color. In nearly every single scene you will notice that the color palette of the environment has shifted completely either as a whole or around each individual character. Jessica Jones is always in front of-or engulfed in-purple. Luke Cage lives in a yellow tinge. Iron Fist-especially towards the end- basks in dark green. Daredevil of course, is surrounded with red. In the fight scene between Jessica and Daredevil, the room is a mixture of red and purple- almost giving away that Daredevil was about to pop up before the audience even saw him. That element was very clever and I felt really amused by it, almost distracted by it.

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In the vein of visuals, I was happy with many of the costume choices for the characters- half of which don’t really wear “costumes”. Luke Cage was almost always rocking either a bright yellow shirt or a hoodie with a yellow lining, so that it was always visible around his neck. Jessica basically just ran, fought and slept in the same infinity scarf, leather jacket and combat boots the entire time, while Danny adopted a dark green ensemble towards the end-exposed chest on display. Daredevil and Elektra were the only superheroes dressed like traditional superheroes at all-and I really and truly loved both takes on their classic attire. It didn’t make a whole lot of sense why Elektra was given such a strange outfit with which to serve as a living weapon, but I was happy with the look. I hope to see Daredevils suit connection branch out with his new colleagues!

Needless to say, in a world where the action scene is becoming more and more high quality ( a la John Wick) and writing for superhero properties can be as fantastic as we have seen in things like Daredevil, Logan, Deadpool, etc- it is truly unfortunate that Defenders came out to feel so very uncared for. Perhaps it was rushed. Perhaps there was never a great handle on the story. Maybe the collaboration between shows wasn’t there-because I didn’t feel a whole lot of it. Aside from some badass moments from characters like Stick and Daredevil, a couple of “hell yeah” fight sequences and a few treats for the fans, I felt very little love in this project.

What was meant to serve as the “climax” of this tale was an empty threat- because Daredevil already has a third season. Of course, I’m entirely curious as to how exactly those events played out- but I didn’t for a single second believe that Matt Murdock was actually gone for good. Thats how this whole “show renewal” thing works.

Review: Wonder Woman

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Still buzzing from viewing Wonder Woman last night, I find myself in the rare position of being seduced by a film even after sleeping on it. The magic that I had hoped for in Man of Steel, Batman v Superman and (slightly) Suicide Squad was finally realized in the passion project that is Wonder Woman.

Yes, of course, as a female as I went into this experience with a far different perspective than what studios may consider to be the “audience” for these films. Yes, of course I entered with my girl power flag flying. However, I went in as a woman scorned by a couple of disappointing entries in this ever growing universe of DC films. My feelings were very conflicted.

The great news here is that Wonder Woman was everything that I wanted, and more. It is a story of a woman sculpted from (genetic lottery winning) clay and brought to life by Zeus who leaves her utopian homeland of amazon warrior women with a strange man to help end Earths great war by killing Ares-the god of war. This mix of Greek mythology, historical drama and fantasy proves to be a winning combination in the hands of Patty Jenkins-known widely for her Oscar winning film ‘Monster’.

The film spends a generous amount of time in the hidden paradise of Themyscira showcasing the rigorous training, impressive agility and compassionate society that the amazon women embrace. Their culture is one of love, support, dedication, loyalty and respect-but it is also one that teaches every member of its community to be strong enough to fight for themselves. Literally. In this environment Diana is drawn to be a warrior like her mother and auntie Antiope (say that 10 times fast). Though she faces conflicting support from her family, her strong will and fighting spirit proves to be her most defining trait.

When Steve Trevor-a British spy escaping from a pack of German soldiers with incredibly important intel in tow-crash lands in Themyscira, Diana learns for the first time that there is a world outside of her own, and one that needs her help. Her motivation to rid the world of Ares evil influence is her driving force throughout this film-while love gives her the strength to carry it through to the end.

Though her relationship with Steve Trevor is certainly central to the story, it is not the type of love story which causes the lovers to sidestep their initial motivations. It gets tiresome to hear every man who she comes into contact with telling her how beautiful she is- but it reflects on the time period. Nobody wants to hear her, only to look at her. Despite all of the obvious jabs at her beauty, Dianas most beautiful and emotional scenes come when she faces evil directly in its face. Every combat scene is expertly shot, expertly choreographed and rivals anything else that I’ve seen on screen in a fantasy setting. Her physical capabilities are displayed with absolutely nothing held back-and it makes for some of the most intense and heart pumping fights in any superhero film to date.

Wonder Woman certainly has its flaws, but I was very impressed by the attention given to every aspect of it. From the accurately devastating portrayals of ground and biological warfare, to the care that went into its characters. Everyone in this diverse cast has an identity and everyone has their contribution to the big picture. Only the villains of this tale are one sided in their beleifs. The story is well paced and never dull, and it gives little screen time to the “fish out of water” tropes that it could so easily have fallen back on. Diana doesn’t learn how phones work, or learn how to walk in heels. When it comes to quality acting- Chris Pine was the star for me here. His portrayal of both a fearless and passionate soldier, as well as a man lovestruck by a woman with unflinching independence-is convincing on all accounts.

Of course, my most beloved takeaway from Wonder Woman was the woman herself. Her compassion is not weakness, and her heart is not her Achilles heel. She persists in the face of opposition and she will be silent for no one. She stands in the way of any danger-gunfire, gas or genocide. She is driven by the idea of peace and inspired by the women who made her, but she is never blinded by the past. She looks to the future.

She is a woman, and a hero, that every woman would love to be. I walk away from this film wanting to be a better woman for this world.
Sidenote: Wonder Womans theme music is LIQUID GOLD

A Rogue One Review – Spoilers ahead!


To be completely honest, I wasn’t sure what I was getting into with Rogue One. It definitely didn’t have that same buildup, that same magic, that same air of mystery that The Force Awakens did. That is no fault to the marketing of the film-it is simply inevitable. We already know how this movie ends. Period. Like any “based on a true story” film, Rogue One bears the burden of transparency. We know that the Rebels succeed in stealing the plans to the death star-so this film is all about the journey that the rebels and the Empire take leading into ‘A New Hope’.

Herein lies both the strongest and weakest points of ‘Rogue One’-the treatment of its characters. This film is also burdened with the unique task of incorporating well established characters with a batch of fresh ones who we never knew by name until now. I strongly feel that the films use of its classic character roster was very well done-from the epic Darth Vader scenes, to the appearance of Jimmy Smits, to the pitch perfect recasting of Mon Mothma and yes…even Tarkin.

I understand the general beef with the treatment of deceased actor Peter Cushing as an entirely motion captured CGI character. I totally get it. However, we cannot discredit the bold decision to incorporate such a prominent character whose absence would be sorely missed. We also shouldn’t discount how good it really looks. I definitely noticed it-because I knew that it was happening- but there were times where I simply forgot that it wasn’t the man himself. With the level of quality animation in modern video games, why wouldn’t we take the opportunity to utilize that in modern cinema?

When it comes to the new cast of characters-the Rebels-I felt a little detached. Even with its 2.5 hour run time this film had no chance in Hoth of establishing a connection to this large group of characters while setting up its plot. Jyn Erso’s background was covered with moderate detail, but once we learn how Forest Whitakers eccentric character Saw Gerrera saved her, thats where it stops. They throw us back to him as an old, fragile man and try to pull at our heartstrings by prodding at the lost connection between Jyn and the man who saved her life. Unfortunately, since we didn’t see any of that time on screen, it was very hard to feel its impact.

Mads Mikkelsen expertly pulls off his character in no surprise to anyone-but his screen time is short lived. Jyn and company spend most of the movie talking about him, about his notoriety and his importance, but once again we see little of it. Of the group of rebels I felt the most connection to the dynamic duo of Chirrut Imwe and Baze Malbus-the blind Jedi and his juggernaut soldier buddy. Their dynamic brought some focus back to the themes that surrounded the original films-about the spiritual influence that engulfs everything and those who question its very existence. K2-SO is likely the standout character for the majority of viewers, seeing as they ran with what worked for C-3P0 and dialed up his sass factor by about 100%. Every instance of comedy (Stormtroopers having casual conversation, droids being droids, etc) was well used and lightened up what would otherwise be a very dark film, making it more appealing to a broader audience.

I’m sad to say that I found Jyn to be a disappointment-not because of the strength and fortitude of her character but simply because I was not impressed with her delivery. It felt wooden and lacked the genuine appeal that a lead character needs. Captain Cassian (Prince Caspian, as I call him) felt much the same. Since we spent the entire movie questioning his loyalties in a “seriously what is up with this guy” way, I did not feel a thing for him. They took little to no time to build back our trust in him, yet Jyn seemed to gravitate towards him in a pinch. I just didn’t feel her passion.

All said and done ‘Rogue One’ is a visually stunning homage to everyones favorite Star Wars films and it takes great care in respecting them. They plant little moments to make passionate fans squeal in their seats while offering a whole new atmosphere to the franchise. Rogue One is not about the Jedi vs the Sith, but it is about the ugly face of war. People sacrifice themselves, people lose their friends, people lose themselves-all to mark the way for the next big step towards ‘balance’. It can be truly painful to watch how politics and people make their mark on war-and this is where ‘Rogue One’ really excels.

P.S. Why did Jyn tell Krennic that her father installed a vulnerability? Why would you do that? Let that be a surprise, damn!


Geekend Movie Release: CHAPPiE

I want to give you a bit of a “review” of’ CHAPPiE, but I don’t want to give much away’. Why? Because I have been fortunate enough to walk into the last three Neil Blomkamp movies with very little preparation, aside from a trailer or two-and it made the experience exponentially more satisfying. I was blown away the first time that I saw District 9, slightly underwhelmed by Elysium, but blown away again by CHAPPiE. So, I am about to give you a very narrow summary of the movie. If you want to preserve your movie knowledge virginity as well, skip the next two paragraphs.

Basically, Chappie takes place in a crime infested, slightly futuristic Johannesburg. Tetra Vaal is a robotics company who has released a line of police robots invented by young scientist and engineer Deon (played by Dev Patel, of Slumdog Millionaire fame). The robots are keeping crime at bay very successfully, but fellow engineer Vincent Moore (played by Hugh Jackman, of Hugh Jackman fame) and his massive military grade robot “Moose” are left living in their shadow. Vincent becomes aware that Deon has been playing with artificial intelligence technology in one of the company’s robots, and tries to strategize a way to jeopardize the police robotics program, and Deon’s A.I efforts.

Meanwhile, Deon finds himself in trouble with a group of local gangsters, played by Yo-Landi and Ninja of ‘Die Antwoord’ (yeah, you heard right) and Jose Pablo Cantillo (Walking Dead) who want him to program a robot to help them pull off a high stakes heist. Utilizing his recent breakthrough in artificial technology while trying to save his life, he creates ‘CHAPPiE’ (voiced by Blomkamp staple actor, Sharlto Copley), who grows from the mind of a child, to a street thug, to an alarmingly intelligent being. Oh, and there was only a LITTLE bit of Sony’s signature product placement. However, there was a lot of Die Antwoord playing in the background. Despite not being a fan myself, it didn’t bother me to hear it throughout the movie. 

If you decided to skip those last couple of paragraphs, all that you need to know is: go see this movie. It was surprisingly emotional, gritty in its realism, original and-in my humble opinion-very memorable.Sure, there are flaws. The acting was surprisingly good, whatever CGI went into creating CHAPPiE was very well done and the story was really gripping. Believable or not, this is definitely a movie that I will remember.

I found myself drawing an immediate comparison to the Johnny Depp flick ‘Transcendence’ that came out last year, but there is really no comparison. Though both movies show how startling artificial intelligence and sentient consciousness has the potential to be, CHAPPiE manages to keep its effects and progression at a believable level. It may be a more playful and immature look at the subject, but that is what I enjoyed about it. It did not take itself too seriously, and much like ‘District 9’ it was not afraid to mix in strange and imperfect characters with non-human elements that you could emotionally attach yourself to-alongside a bit of guerilla style action violence.

Like I said, originality is certainly not lacking in this film. I had moments of emotional confusion and was genuinely taken aback by how the story and the development of CHAPPiE’s personality was handled. Blomkamp has definitely made a fan out of me all over again. Don’t listen to the critics on this one. Go see it and make up your own mind.

If you see CHAPPiE this weekend, head over to the Buddy Critic Facebook page and tell us what you thought!


Things That I Loved This Week!



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Gripping, tragic, devastating. I can think of few other words to describe the plot and performances of ‘Prisoners’. Hugh Jackman delivers the performance of his career as a father in ruins, while Jake Gyllenhal absolutely nails his role as a small town police detective tasked with investigating the disappearance of two young girls. Maria Bello, Paul Dano, Melissa Leo, Terrance Howard and Viola Davis deliver strong-and often powerful-performances that round out an all star cast of characters. Upon reading a synopsis about a father who takes the law into his own hands when his daughter does missing, you may be left unenthused, but it is oh-so-much more than that. There are many scenes that will leave you conflicted, maybe even uncomfortable. Just when you think that you know where the clues are leading-and even if you have it figured out-there will still be moments of shock and awe. Though you may be left with an emotional weight on your mind and heart afterwards, I recommend that you add this movie to your “must watch” list immediately.


Marvel Original Sin #0

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In what proves to be a brilliant series, Original Sin #0 starts strong right out of the gate. An Origin story about the elusive cosmic entity ‘The Watcher’, this issue finds the young superhero ‘Nova’ seeking for answers-and finding ones that he did not expect-on a personal and cosmic level. I anticipate-and hope- that ‘The Watcher’ is worked into the ever-expanding Marvel cinematic universe, as his role in the last few decades of comics has been consistent and very vital. With the coming introduction of the Guardians of the Galaxy, Thanos and the like, I anticipate that The Watcher will have an inevitable role to play as the events become more universal. With clever dialogue, clean and vibrant artwork and fantastic, emotional storytelling, ‘Original Sin #0’ is a series worth getting in to and sticking behind.

Other recommendations:

Elektra #1

What If? Age of Ultron #4


Jason Palmer Studios

I was fortunate enough to spend my Saturday at the Calgary Comic and Entertainment Expo, where I walked nearly seven kilometers around Artist Alley and a land of toys, posters and people. This being my second year at the event, I made it a point to lay my eyes on everything that I could possibly see before the day was through. The one artist that grabbed my attention over his peers was Mr. Jason Palmer. The sheer volume of realism in his collection is breathtaking, and his attention to detail is exceptional. Not only is his body of work at the top of his profession, but his passion speaks to his maturity, love and enthusiasm for his work. It is infectious.

I proudly took home a Professor Xavier and Phoenix print!

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Follow him on Facebook, you won’t regret it!



I first came across Phantogram at last years XFest lineup in Calgary, where the pair put on a hypnotic performance of electronic, alternative rock bliss. I recently came across their studio album ‘Voices’ and have had it in my regular rotation ever since. Check out Black Out Days, Bad Dreams and I Don’t Blame You.

The Damned Things

The Damned Things is a collaboration of members of several beloved punk, rock and hardcore bands that decided to go back to basics. Their music is a modern day adaptation of one classic theme: sex, drugs and rock. With infectious choruses, catchy beats and classic rock lyrics, this music is nearly impossible to resist. For those who might be skeptical, fear not, because the vocals of Keith Buckley (of Every Time I Die fame) give these party rock anthems a modern edge and appeal that will draw in an unlikely crowd of followers.

Check out: Friday Night, Little Darling and Broken Heart

Wonderful and Woeful Watches: April 22nd 2014

I have so much free time lately that I’ve started to indulge in new television shows and an occasional movie here and there to keep me amused and to keep my brain moving. TV is my “jam”, so to speak, and I generally always side with it when given the option. Thankfully, this week I discovered a few new shows that have the potential to be quite fantastic!

House of Lies

Sex, money, management consulting. Not the most sensual lineup, no?

The only reason that I took a chance on this show is because of the cast. Kristen Bell is the woman of my heterosexual dreams, and I just haven’t seen enough of her work. Don Cheadle in a comedic role sounded just dandy after his turn as “War Machine/Iron Patriot” in Iron Man 3, and hey, Jean-Ralphio, from Parks and Recreation! As annoying as his character is, my god is he funny. Case in point.

The show is quite cocky,along with its main characters, so the humanity element has yet to be revealed. It is what I imagine ‘Wolf of Wall Street’ to be like in television form (Note: I have not seen this particular film….sorry). There is plenty of boobs, narcissism, money and ‘in your face’ speeches, but they haven’t quite drawn in the emotional folks such as myself. I want to see some humility! Hence, I will continue to watch, because there is some great potential.

Franklin and Bash

Two words: Breckin Meyer. If I wasn’t in love with his before, I am now.

Women everywhere squirm at the thought of Zack Morris in a suit for 40 minutes a week, and with good reason. Swoon. Both of these guys have charisma, great comedic timing and chemistry. Its not the most original story in the world (two arrogant 30-something lawyers who have no familes live together in between winning cases with their unconventional methods and arrogant lawyer charm), BUT I can forgive a lack of originality when it is this enjoyable. It doesn’t try to be pretentious and it doesn’t ‘reach’ too far for laughs. It is just a good time.

Now for the bad news….

Spring Breakers

I really wanted to steer clear of negativity on this blog, but I just hated this movie.

Firstly, I was VERY offput from about five minutes in because I didn’t realize that it written by one of the guys responsible for ‘Kids’, the movie that first taught me what being uncomfortable really was when I was eight. I sincerely thought this was going to be a rom com.

Putting that aside, however, this movie was just downright STRANGE. The music choices are bizarre. The constantly looping dialogue throughout, along with the recurring scenes was a poor attempt at being “noir”. The story was a huge reach and the characters are so unbelievably unrelatable that I didn’t know what to do with myself while watching this. The sexuality is SO forced that it isn’t remotely sexy at all. It is just plain disturbing. The main characters all have stripper names, and the overly sexual way that they interact with one another is just beyond my understanding. The only way that I can describe it is “an old white mans wet dream”. I was waiting for a naked pillow fight to break out. James Franco’s character ‘Alien’ is entirely ridiculous, to the point where even Franco’s dedication to the role could not save it. Every single thing that he said had no value or realism to it, even for a guy who was probably on drugs half the time.

It tried so hard to be deep and edgy, and it just ended up being empty and meaningless. I can’t explain how uncomfortable and ludicrous this movie was, but I absolutely would not watch it again. Sorry, folks.