Album Reviews: Katy Perry, Lorde, Portugal the Man

Katy Perry – Witness

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Had I listened to this album based solely on the singles ‘Bon Appetit’, ‘Chained to the Rhythm’ and ‘Swish swish’ I would have been take aback. However, I was ultimately brought to listen to Katy Perrys new album because I spent a half sober night watching her have a one hour therapy session in a live YouTube video. Through listening to her spill her guts about the pressures of functioning as a human being in the chaos of international stardom, I have come to understand her better. Though I almost let the YouTube comments alter my judgement- it struck me as very sincere and very brave-so much respect to you, KP!

‘Witness’ hits a sweet spot between 80s and 90s dance pop, but somehow manages to sound modern. Though even the most upsetting song lyrics are backed by a catchy beat, it embodies the essence of Katy Perrys best assets-her unique voice and her clever, versatile songwriting. Her lyrics have taken a turn from the goofy and become more about urban slang (Swish swish bish?)-but her ability to capture and convey an idea in a song is still strong.

‘Witness’ shows its greatest strength with its soul-as it is also Katy Perrys most relatable piece of work. With songs that cover everything from self love to lost love, it feels mature. It feels open. It feels honest. There is plenty of fun and playful, but there is a lot of human behind all of that.

I may be gushing, but I really fell in love with this album in its entirety moreso than any of her previous. It speaks to me at this point in my life-and I’m sure that it will speak to many others as well.

Lorde- Melodrama

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Not to be silly, but Melodrama is a perfect title to define the vibe of this album- mellow and dramatic.

Lorde gracefully rides the hype train to an album that maintains her unique sound and boasts a maturity and class that justifies her recent once in a lifetime compliment from David Bowie in which he was quoted as calling her “the future of music”. No pressure!

‘Melodrama’ is a moody, vibrant portrait of a hot summer night in the throws of young relationships. It is poetic without being pretentious and it is wise beyond its years without losing its youth- which is a perfect description of the woman herself. Songs like ‘Sober’, ‘Green Light’ ‘Supercut’ and ‘Perfect Places’ are groovy dance anthems that meld perfectly with the brooding, introspective songs like ‘Liability’ and ‘Hard Feelings/Loveless’. It is a journey through the ups and downs of love that is guided by Lordes soothing tones and funky beats.

If you were a fan of ‘Pure Heroine’ and the independently released songs that she has released since then-like ‘Yellow Flicker Beat’ and ‘Everybody Wants to Rule the World’ from the Hunger Games-you will take to ‘Melodrama’ right away. There is growth here, but there is no mistaking that you are listening to a Lorde record. She is such a rare talent who utilizes her deep vocals in a way that feels natural-and it rides the line between alternative and mainstream pop music in an interesting way. ‘Melodrama’-much like its predecessor-is a knockout.

Portugal the Man – Woodstock

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It was a breath of fresh air to finally have a new record from Portugal the Man-since our household has been playing their 2013 album ‘Evil Friends’ half to death in the past few years. Since then, we have seen a couple of random songs popping up-like the deliriously infectious ‘Noise Pollution’ and the equally as addicting single ‘Feel it Still’-both which made their way onto the album. With a short 10 song tracklist filled with their trademark falsetto vocals and hypnotic indie rock style-‘Woodstock’ is less rebellious than their 2013 album, but it is a perfect record to bring into your summer rotation.

While this blend of high vocals and upbeat tempos with an alternative rock edge is barely unique at this juncture-with bands like Foster the People sounding nearly identical-there is something special about Portugal the Man that I cannot quite put my finger on. Their sound has become more refined over the years-arguably leaning more towards the mainstream-and they have really nailed down their offbeat approach to putting together a song. ‘Woodstock’-like ‘Evil Friends’ is solid all the way through and keep your interest piqued with catchy riffs and choruses. You’ll feel good listening to this one.

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